{"id":5718,"date":"2021-06-14T08:01:49","date_gmt":"2021-06-14T06:01:49","guid":{"rendered":"http:\/\/hicp.cz\/?post_type=creativo_portfolio&#038;p=5718"},"modified":"2021-08-17T13:10:30","modified_gmt":"2021-08-17T11:10:30","slug":"publikace-ohnostroj-josef-futenbach","status":"publish","type":"creativo_portfolio","link":"https:\/\/hicp.cz\/?creativo_portfolio=publikace-ohnostroj-josef-futenbach","title":{"rendered":"Publikace Oh\u0148ostroj &#8211; Josef Furtenbach"},"content":{"rendered":"<p>Kniha m\u00e1 celkem 28 stran. Byla vyd\u00e1na v \u010dervnu roku 1944 v Praze.<\/p>\n<p>Pojedn\u00e1n\u00ed o oh\u0148ostroji, zab\u00edraj\u00edc\u00ed podstatnou \u010d\u00e1st Furtenbachovy Pu\u0161ka\u0159sk\u00e9 \u0161koly (vybran\u00e1 z jeho d\u00edla ,,Mannhafter Kunstspiegel&#8220;), pat\u0159\u00ed do oboru divadeln\u00edho p\u0159\u00edkladem sv\u00e9 organisace a sv\u00e9ho uspo\u0159\u00e1d\u00e1n\u00ed. Op\u011bt jde o formu v\u00fdtvarnickou, tento kr\u00e1t o p\u0159edch\u016fdce mechanisovan\u00e9ho divadla konstruktivist\u016f, kde hr\u00e1lo sv\u011btlo, barva, forma a snad i zvuk. Tak\u00e9 v t\u00e9to form\u011b, u oh\u0148ostroje, hraje forma, barva, sv\u011btlo a zvuk. Formou divadeln\u00edho prostoru je tato uk\u00e1zka z\u00e1rodkem divadla v p\u0159\u00edrod\u011b (vedle sou dob\u00fdch slavnost\u00ed v zahrad\u00e1ch, jejich\u017e sou\u010d\u00e1st\u00ed byl oh\u0148ostroj) a ve v\u00fdvojov\u00e9 \u0159ad\u011b p\u0159ed ch\u00e1z\u00ed dne\u0161n\u00ed slavnosti ve stadionech. Z\u00e1kladem prostorov\u00fdm je forma cirku (stadionu), tedy kruhov\u00e1 forma p\u016fdorysn\u00e1, kolem n\u00ed\u017e se po obvodu kruhu soust\u0159e\u010fuj\u00ed div\u00e1ci. Ve srovn\u00e1n\u00ed s p\u0159\u00edklady dal\u0161\u00edho v\u00fdvoje pozn\u00e1me pak jej\u00ed m\u00edsto. Miroslav Kou\u0159il.<\/p>\n<div class=\"g5ia77u1 jwdofwj8 pby63qed\" data-testid=\"outgoing_group\">\n<div role=\"row\" data-testid=\"mwchat_outgoing_row\">\n<div class=\"\">\n<div class=\"j83agx80 r8blr3vg\">\n<div class=\"h9e7qa53 l9j0dhe7 hpfvmrgz\">\n<div class=\"lzcic4wl\" tabindex=\"0\" role=\"gridcell\" data-scope=\"messages_table\" data-recover=\"true\">\n<div class=\"ni8dbmo4 stjgntxs ii04i59q\" aria-owns=\"jsc_c_14v\" data-testid=\"outgoing_message\">\n<div class=\"l60d2q6s d1544ag0 sj5x9vvc tw6a2znq l9j0dhe7 ni8dbmo4 stjgntxs qlfml3jp inkptoze e72ty7fz qmr60zad jm1wdb64 qv66sw1b ljqsnud1 g6srhlxm odn2s2vf\">\n<div class=\"ljqsnud1\" dir=\"auto\">Kdy\u017e jsem vysv\u011btlil zcela d\u016fv\u011bryhodn\u011b a aperte a kdy\u017e jsem popsal ji\u017e ve pise Halonitro-pyroboliae, vyti\u0161t\u011bn\u00e9m r. 1627, na fol. 1-41, podle italsk\u00fdch ne boli vla\u0161sk\u00fdch vah a v Pu\u0161ka\u0159sk\u00e9 \u0161kole, vyti\u0161t\u011bn\u00e9 r. 1643, na fol. 1-61, podle n\u011b meck\u00fdch vah rozli\u010dn\u00e9, dob\u0159e vyzkou\u0161en\u00e9 sm\u011bsi neboli mixtury, kter\u00fdch lze po u\u017eiti ve v\u0161ech oh\u0148ostroj\u00edch na prosp\u011bch a pro radost, zd\u00e1 se t\u00e9m\u011b\u0159, \u017ee nen\u00ed v\u011bci, kter\u00e1 by tam nebyla sdostatek vysv\u011btlena, a bylo by tedy zbyte\u010dn\u00e9 opakovat tot\u00e9\u017e. Ale nezmarn\u00e1 lidsk\u00e1 podstata u\u017e je \u0159\u00edzena tak nevyzpytateln\u011b, \u017ee \u010d\u00edm v\u00edce speculuje o tomto um\u011bn\u00ed, tak daleko zab\u00edhaj\u00edc\u00edm, t\u00edm v\u00edce, ba hodinu od hodiny, mu d\u00e1v\u00e1 svobodn\u00fd duch nov\u00e9 formy a postaven\u00ed nebo to \u010di ono povzn\u00e1\u0161\u00ed st\u00e1le v\u00fd\u0161 a v\u00fd\u0161, ne\u017e o tom co v\u011bd\u011bl d\u0159\u00edve, a tim to po\u0159\u00e1d\u00e1 s lep\u0161\u00edm rozumem, vzne\u0161en\u011bji a z\u00e1va\u017en\u011bji. A\u010dkoliv m\u016f\u017eeme vytvo\u0159it p\u011bkn\u00e9 d\u00edlo s figurami rozli\u010dn\u00fdch drak\u016f, lod\u00ed a s jin\u00fdmi slo\u017eit\u00fdmi oh\u0148ostroji, p\u0159ece jenom tam, kde je v\u0161e zm\u011bteno skrz naskrz ve velik\u00e9 confusi, ani po\u0159\u00e1dn\u011b nevn\u00edm\u00e1me, jak\u00e9 effectum zp\u016fsobil ten nebo onen kousek, a to proto, \u017ee se tam staly chyby z nedbalosti, \u017ee neprob\u00edh\u00e1 jedno po druh\u00e9m, ale v\u0161ecko z\u00e1rove\u0148 a \u017ee je jeden kus zast\u00edn\u011bn a zakryt jin\u00fdm. Proto jsem si v\u017edycky myslil-a mysl\u00edm podnes, \u017ee bychom m\u011bli dirigovat a \u0159\u00eddit zkou\u0161ku z mistrovstv\u00ed mlad\u00e9ho ohn\u011bstr\u016fjce podle toho, zdali odpaluje neohro\u017een\u011b a jeden kus po druh\u00e9m podle n\u00e1le\u017eit\u00e9ho po\u0159\u00e1dku (bez jak\u00e9koliv confusie) a nen\u00ed-li v\u0161echno nazdarb\u016fh, ale naopak zdali je prvn\u00ed kousek proveden se stejn\u00fdm mistrovstvim jako posledn\u00ed a zvl\u00e1dne-li s n\u00e1le\u017eitou p\u00e9\u010di a obez\u0159elost\u00ed oh\u0148ostroj podle sv\u00e9 v\u016fle a z\u00e1liby. Pro mlad\u00e9ho ohn\u011bstr\u016fjce, kter\u00fd nehodl\u00e1 vynalo\u017eit velik\u00fd pen\u00edz, posta\u010d\u00ed na zkou\u0161ku oh\u0148ostroj, kter\u00fd je pops\u00e1n v m\u00e9 Pu\u0161ka\u0159sk\u00e9 \u0161kole na fol. 54 a\u017e 58 a tamt\u00e9\u017e vy podobn\u011bn na m\u011bdirytin\u011b \u010d. 16. A\u017e jej po\u0159\u00edd\u00ed podle ponau\u010den\u00ed, kter\u00fdch se tam do\u010dte, m\u016f\u017ee se p\u0159edstavit p\u0159\u00edtomn\u00fdm milovn\u00edk\u016fm toho um\u011bn\u00ed s plnou ct\u00ed, m\u016f\u017ee pozd\u011bji sestavit podle toho vzoru v\u00edce oh\u0148ostroj\u016f a z\u00edskat si vlastn\u00ed zku\u0161enosti, a proto se nyn\u00ed spokojuji odkazem na jmenovan\u00fd spis. Ale chce-li trochu alargovati neboli zv\u011bt\u0161iti p\u0159\u00edslu\u0161n\u00e9 n\u00e1klady a prov\u00e9sti v\u0161e s v\u011bt\u0161\u00ed d\u016fstojnosti a p\u016fvabn\u011bji, ne\u017e jsem u\u010dinil j\u00e1 p\u0159i t\u00e9to p\u0159\u00edle\u017eitosti, nech\u0165 d\u00e1 pozor, jak pop\u00ed\u0161i je\u0161t\u011b jednou takov\u00e9, ale mnohem hojn\u011bj\u0161\u00edmi podrobnostmi opat\u0159en\u00e9 (a ve skute\u010dnosti vlastnoru\u010dn\u011b vyzkou\u0161en\u00e9 a zda\u0159il\u00e9) oh\u0148ostrojov\u00e9 theatrum, vym\u011b\u0159en\u00e9 po prav\u00e9m planimetrick\u00e9m zp\u016fsobu, jak n\u00e1sleduje. Josef Furtenbach<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":5486,"comment_status":"open","ping_status":"closed","template":"","class_list":["post-5718","creativo_portfolio","type-creativo_portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-ceskoslovensko"],"_links":{"self":[{"href":"https:\/\/hicp.cz\/index.php?rest_route=\/wp\/v2\/creativo_portfolio\/5718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hicp.cz\/index.php?rest_route=\/wp\/v2\/creativo_portfolio"}],"about":[{"href":"https:\/\/hicp.cz\/index.php?rest_route=\/wp\/v2\/types\/creativo_portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/hicp.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5718"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hicp.cz\/index.php?rest_route=\/wp\/v2\/media\/5486"}],"wp:attachment":[{"href":"https:\/\/hicp.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}